jennifer connelly gallery



jennifer connelly

jennifer connelly

Jennifer Connelly
Birth name: Jennifer Lynn Connelly
Date of birth: December 12, 1970
Birth location: Catskill Mountains, New York
Height: 5' 7½" (1.71 m)
Notable role(s): Marion Silver Requiem for a Dream
Alicia Nash A Beautiful Mind (film)
Sarah Labyrinth

Jennifer Lynn Connelly (born December 12, 1970) is an Academy Award-winning film American actress and former child model. Although she has been working in the film industry since she was a teenager and catapulted to fame on the basis of her appearances in films like Labyrinth and Career Opportunities, she did not receive critical acclaim for her work until the 2000 drama Requiem for a Dream, and the 2001 biography A Beautiful Mind, for which she won an Oscar for Best Supporting Actress.

Contents

  • 1 Early life
  • 2 Early career
  • 3 Breakthrough
  • 4 Personal life
  • 5 Selected filmography
  • 6 References
  • 7 External links

Early life

Connelly was born in the Catskill Mountains, New York to Gerard and Eileen Connolly; Connelly's father, who worked in the garment industry, is a Catholic of Irish and Norwegian descent, while her mother, an antiques dealer, comes from a family of Jewish immigrants from Russia and Poland. Connelly was raised in Brooklyn Heights, Brooklyn near the Brooklyn Bridge, attending St. Ann's School, except for four years the family spent living in Woodstock, New York. One of her father's friends was an advertising executive, who suggested that she audition at a modelling agency. At the age of 10, her career started in newspaper and magazine ads, then moved to television commercials.

Her first film role was as "young Deborah Gelly," a small part in Sergio Leone's 1984 gangster epic, Once Upon a Time in America. She next starred in cult Italian horror director Dario Argento's Phenomena (1985) and in the coming-of-age movie Seven Minutes in Heaven.

Early career

In August 1991, Jennifer Connelly appeared on the cover of Esquire Magazine.

Connelly became a star on her next picture, the fantasy Labyrinth (1986) playing Sarah, a teenager who wishes her baby brother into the world of goblins ruled by goblin king Jareth (David Bowie). The film underperformed at the box office, but enjoys a cult following today.


Connelly seemed stuck as to how to follow up on this success. She made a Japanese pop record and starred in several obscure films, such as Etoile (1988) and Some Girls (1988). The Dennis Hopper- directed The Hot Spot (1990) was underwhelming, both critical and commercially. Another film, Career Opportunities, was more successful and is considered a teen cult classic. It and Hot Spot threatened to typecast her in the "sexpot" stereotype with both films emphasizing her voluptuous figure, particularly Hot Spot which contained her first topless scene.

Jennifer was featured on the cover of Esquire magazine in August of 1991, as part of the "Women We Love" feature. [1]

She began studying English at Yale, and two years later transferred to Stanford.

The big-budget Disney film The Rocketeer (1991) similarly failed to ignite Connelly's career; after its failure she took some time off from acting.

The moody 1996 indie film Far Harbor played her against type and hinted at a much broader range than she had previously shown. Connelly began to appear in smaller but well regarded films, such as 1997's Inventing the Abbotts and 2000's impressive Waking the Dead. She played a collegiate lesbian in John Singleton's 1995 ensemble drama, Higher Learning. The 1998 science fiction film Dark City, which is well-regarded by critics, afforded her the chance to work with such actors as Rufus Sewell, William Hurt, Ian Richardson and Kiefer Sutherland. Connelly revisited her ingenue image again, though in a more understated way, for the 2000 Jackson Pollock biopic Pollock, in which she played Pollock's mistress.

Breakthrough

Arguably, Connelly's big breakthrough finally came in the 2000 film Requiem for a Dream. The haunting, experimental film starred Connelly and Jared Leto as heroin addicts on the edge of a breakdown. The film, which was a success with critics (if not at the box office), firmly established her as a serious actress. Connelly's star was on the rise, and she next starred in Ron Howard's film A Beautiful Mind (2001). Connelly essayed the role of Alicia Nash, the long-suffering wife of the brilliant, schizophrenic mathematician John Nash, (played by Russell Crowe.) The film, based on real life events, was a critical and commercial success and earned Connelly an Academy Award for Best Supporting Actress. Her appearance in A Beautiful Mind led to a featured article in TIME magazine. [2]

Connelly starred in two films in 2003: The Hulk and House of Sand and Fog. The Hulk was something of a box office disappointment, but afforded Connelly the chance to work with noted director Ang Lee. House of Sand and Fog, based on the novel by Andre Dubus III, was reminiscent of much of her independent film work of the late 1990s. Connelly's most recent movie is the 2005 horror film Dark Water, which was based on a Japanese film.

Among other films for which Connelly has been considered are Heathers (she turned down the role), The Ring, and Say Anything...

Personal life

Connelly is married to the English actor Paul Bettany (born 1971), whom she met while working on A Beautiful Mind. The couple's son, Stellan (named after actor Stellan Skarsgård), was born on August 5, 2003. She also has a son, Kai (born 1997), from her relationship with photographer David Dugan.

Selected filmography

  • The Blood Diamond (2007)
  • Little Children (2006)
  • Dark Water (2005)
  • House of Sand and Fog (2003)
  • Hulk (2003)
  • A Beautiful Mind (2001)
  • The $treet (2000, TV series)
  • Pollock (2000)
  • Requiem for a Dream (2000)
  • Waking the Dead (2000)
  • Dark City (1998)
  • Inventing the Abbotts (1997)
  • Mulholland Falls (1996)
  • Higher Learning (1995)
  • The Rocketeer (1991)
  • Career Opportunities (1991)
  • The Hot Spot (1990)
  • Some Girls (1988)
  • Labyrinth (1986)
  • Seven Minutes in Heaven (1985)
  • Phenomena aka Creepers (1985)
  • Once Upon a Time in America (1984)

References

  1. ^ http://www.esquire.com/covergallery/coverdetail.html?y=1991&m=8
  2. ^ http://www.time.com/time/archive/preview/0,10987,1001669,00.html
Preceded by:
Marcia Gay Harden
for Pollock
Academy Award for Best Supporting Actress
2001
for A Beautiful Mind
Succeeded by:
Catherine Zeta-Jones
for Chicago

External links

  • Jennifer Connelly at the Internet Movie Database
Search Term: "Jennifer_Connelly"
jennifer connelly news and jennifer connelly articles

Here's our top rated jennifer connelly links for the day:

"Little Children" 

The Oregonian - 24 minutes ago
Kate Winslet, Patrick Wilson and Jennifer Connelly in a tale of suburban adultery and fear. From Portland-raised writer-director Todd Field. (Fox Tower)
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"Little Children": An outstanding cast of outcasts 
Seattle Times - 45 minutes ago
"Little Children," writer/director Todd Field's long-awaited follow-up to "In the Bedroom," is filled with evocative sounds, and takes the...
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Deep in heart of suburbia 
The Oregonian - 25 minutes ago
In recent American film, the suburbs have been host to all manner of disorientation, depression and depravity, whether in the soft-pedaled confusion of "American Beauty" or the dreamy longing of "Far From Heaven" or the scabrous revenge-of-the-nerd fantasies of Todd Solondz ("Happiness," "Storytelling").
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What a performance by Winslet in 'Children' 
Everett Herald - 42 minutes ago
Quiet and observant, as clean as a neighborhood without sidewalks, "Little Children" works a thoughtful variation on a familiar subject: lust and angst in the suburbs.
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LITTLE CHILDREN (R) | two and a half stars: Little Children | Like unfaithful characters, tale of infidelity loses way 
Miami Herald - 43 minutes ago
The title Little Children presumably refers to the young sons and daughters of the protagonists, most of whom are parents, but it could also describe the behavior of the grown-ups, too: Director Todd Field (In the Bedroom) has toned down the satirical humor of Tom Perrotta's sometimes caustic novel, but he hasn't excised it entirely, either, and the movie is often at its best when illustrating
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